Stella and Diamond

By Cathy Fuller

Inspired by the Art of the Americas Wing at the Museum of Fine Arts, I've been looking at music that was created in the same year as one of the works of art in that collection. I’ve discovered that even when artists work using vastly different approaches, we’re still somehow compelled to find connections.

Here’s a pair from 1940-1941:

Joseph Stella came to New York City as a 19-year-old Italian immigrant and fell so in love with the place that he began calling the city “his wife.” This description of the city’s power comes from his autobiographical notes:

"Steel and electricity had created this new world. A new drama had surged from the unmerciful violations of darkness at night, by the violent blaze of electricity… The steel had leaped to hyperbolic altitudes and expanded to vast latitudes with the skyscrapers and with bridges made for the conjunction of worlds."

Stella adored the Brooklyn Bridge and made several paintings of it, combining realism, abstraction, and surrealism to capture its force. He painted his Old Brooklyn Bridge from 1940 to 1941, and now it hangs in the Art of the Americas wing at the MFA. For me it’s a bold, prismatic homage to the bewildering beauty of the city’s geometry. A dizzying display of craftsmanship – like a view from a set of eyes that can’t stop moving.




On December 21st, 1941, while the Brooklyn Bridge shivered in the cold, Carnegie Hall was ablaze with bright, propulsive sound. New York composer David Diamond’s Symphony No. 1 was getting its premier with the New York Philharmonic. Diamond had studied in Paris with the great teacher Nadia Boulanger and then headed off to an art colony near Saratoga to write his first symphony.

As you hear it, I feel sure that you’ll hear elements of Joseph Stella’s city image right away. As in Stella’s painting, there is a kind of beautiful, throbbing geometry in it. The symphony has a uniquely American sound – reflecting, you could imagine, an awe-struck affection for the great structures of a growing city. It's as though Diamond took Stella's words - "The steel had leaped to hyperbolic altitudes..." and transformed them into the sounds the Philharmonic played that December night. 

Diamond: Symphony No. 1, I. Allegro Moderato con Energica (excerpt)

(image courtesy of the Museum of Fine Arts)

 

 



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