Richard Egarr on The Well-Tempered Clavier, and the Missa Brevis in F

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On the program:

Suite No. 5 in C minor for solo cello, BWV 1011 - Pieter Wispelwey, cello

Cantata BWV 182 Himmelskönig, sei willkommen - Malin Hartelius, soprano; Nathalie Stutzmann, alto; James Gilchrist, tenor; Peter Harvey, bass; Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner, conductor

(The image at left [courtesy Wikimedia Commons] shows column detail from the Nikolaikirche, Leipzig, which is modelled on palms.  The theme of palms is prevalent in the architecture of the Nikolaikirche, which, with the Thomaskirche, is one of the churches served by Bach between 1723 and 1750.  The Nikolaikirche also played a pivotal role in the fall of the Communist regime of East Germany in the 1980's.)

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Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.

On the program:

Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel

Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord

Preludes and Fugues in F-sharp minor (BWV 883) and A major (BWV 889), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord

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