The Christmas Oratorio, Part 2, in Concert

Recent Episodes

Andrew Rangell and The Art of Fugue

Andrew Rangell and The Art of Fugue

The Bach Hour | WCRB

Pianist Andrew Rangell talks with host Brian McCreath about grappling with one of Bach's last and greatest masterpieces, The Art of Fugue.

On the program:

Magnificat, BWV 243 - Tamara Matthews, soprano;  Deanne Meek, mezzo-soprano;  Mary Phillips, alto;  Don Frazure, tenor;  Stephen Powell, baritone;  Boston Baroque, Martin Pearlman, conductor

from The Art of Fugue, BWV 1080: Contrapunctus I, IV, IX, and XIV - Andrew Rangell, piano

Andrew Rangell on The Art of Fugue: Full Interview

Andrew Rangell on The Art of Fugue: Full Interview

The Bach Hour | WCRB

In a wide-ranging discussion, pianist Andrew Rangell talks with host Brian McCreath about grappling with one of Bach's last and greatest masterpieces, The Art of Fugue.


 

Ton Koopman and the Cantata No. 177

Ton Koopman and the Cantata No. 177

The Bach Hour | WCRB

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The River Jordan's Roiling Waters in a Bach Cantata

The Bach Hour | WCRB

Serenity and Exuberance in the Third Orchestral Suite

Serenity and Exuberance in the Third Orchestral Suite

The Bach Hour | WCRB

Music for a New Beginning

Music for a New Beginning

The Bach Hour | WCRB


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On the program:

Canonic Variations on Vom Himmel hoch da komm' ich her, BWV 769 - Anton Heiler, organ (Fisk organ, Opus 46, at Memorial Church, Harvard University)

Christmas Oratorio, BWV 248, Part II (translation) - Christine Schäfer, soprano;  Bernarda Fink, alto;  Werner Güra, tenor (Evangelist);  Gerald Finley, bass;  Arnold Schoenberg Choir and Concentus Musicus of Vienna, Nikolaus Harnoncourt, conductor

Choral Variations on Vom Himmel hoch da komm' ich her, BWV 769 (arr. Igor Stravinsky) - Boston Symphony Orchestra and Tanglewood Festival Chorus, Seiji Ozawa, conductor

(photo from the Musikverein courtesy of the Musikverein, Vienna)

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