Cantatas Nos. 60 & 26

 

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Dutch cellist Pieter Wispelwey talks with host Brian McCreath about the Cello Suite No. 2 by Bach.

On the program:

Aria variata in A minor (Italian Variations), BWV 989 (arr. Tim Jackson) - Alison Balsom, trumpet;  Alistair Ross, harpsichord

Cantata BWV 87 Bisher habt ihr nichts gebeten in meinem Namen - Robin Blaze, counter-tenor;  Makoto Sakurada, tenor;  Peter Kooij, bass;  Bach Collegium Japan, Masaaki Suzuki, conductor

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(photo of Pieter Wispelwey by Benjamin Eagoleva, courtesy of the artist)

Brasil Guitar Duo's French Suite and the Cantata No. 166

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The Bach Hour | Classical New England

04/25/13

On the program:

Trio Sonata in D minor, BWV 527 - Robert Quinney, organ (Frobenius organ at The Queen's College, Oxford, England)

Cantata BWV 166 Wo gehest du hin? - Robin Tyson, alto; James Gilchrist, tenor; Stephen Varcoe, bass; Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Chorale Prelude:  Wer nur den lieben Gott läßt walten,  BWV 647 - Martin Roscoe, piano

French Suite No. 3, BWV 814 - Brasil Guitar Duo

(photo of Brasil Guitar Duo by Janette Beckman)

Cantata No. 12, and Brandenburg Concerto No. 4

Cantata No. 12, and Brandenburg Concerto No. 4

The Bach Hour | Classical New England

04/19/13

Harvard University's Christoph Wolff describes Bach's approach to transforming works by other composers.

On the program:

Brandenburg Concerto No. 4 in G, BWV 1049 - Daniel Stepner, violin;  Christopher Krueger and Roy Sansom, recorders;  Boston Baroque, Martin Pearlman, conductor

Cantata BWV 12 Weinen, Klagen, Sorgen, Zagen - Daniel Taylor, alto;  Mark Padmore, tenor;  Peter Kooy, bass;  Collegium Vocale Gent, Philippe Herreweghe, conductor

Concerto in A minor, BWV 593 (after Vivaldi) - Balint Karosi, organ (Richards, Fowkes, & Co. organ at First Lutheran Church, Boston)

Lost and Found Bach

Lost and Found Bach

The Bach Hour | Classical New England

04/11/13

Harvard University's Christoph Wolff tells the story of a work of Bach's discovered in 2005.

On the program:

Allein Gott in der Höh' sei Ehr', BWV 662 (Leipzig) - Jacob Street, organ (Richards, Fowkes, & Co. organ at First Lutheran Church, Boston)

Cantata BWV 112 Der Herr ist mein getreuer Hirt - Katharine Fuge, soprano;  William Towers, alto;  Norbert Meyn, tenor;  Stephen Varcoe, bass;  Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Concerto in D for three violins, BWV 1064R - Petra Müllejans, Gottfried von der Goltz, and Anne Katharina Schreiber, violins;  Freiburg Baroque Orchestra

Alles mit Gott und nichts ohn' ihn, BWV 1127 - Elin Manahan Thomas, soprano;  English Baroque Soloists, John Eliot Gardiiner, conductor

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O Ewigkeit, du Donnerwort, BWV 397 - Chamber Choir of Europe, members of the Freiburg Baroque Orchestra, Nicol Matt, conductor

Sonata in G for Viola da Gamba and Cembalo, BWV 1027 - Vittorio Ghielmi, Viola da Gamba;  Lorenzo Ghielmi, Fortepiano

Cantata BWV 60 O Ewigkeit, du Donnerwort (translation) - Yukari Nonoshita, soprano;  Robin Blaze, counter-tenor;  Gerd Turk, tenor;  Peter Kooij, bass;  Bach Collegium Japan, Masaaki Suzuki, conductor
Chorale Prelude on Ach wie nichtig, ach wie flüchtig, BWV 644 - Simon Preston, organ (Metzler Organ at Trinity College, Cambridge)

Chorale Prelude on Ach wie nichtig, ach wie flüchtig, BWV 644 - Simon Preston, organ (Metzler Organ at Trinity College, Cambridge)

Cantata BWV 26 Ach wie flüchtig, ach wie nichtig (translation) - Joanne Lunn, soprano;  Richard Wyn Roberts, alto;  Julian Podger, tenor;  Gerald Finley, bass;  Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Fugue in D, BWV 874, from Book II of The Well-Tempered Clavier (conclusion) - Lorenzo Ghielmi, Fortepiano

(photo:  Sheila Rock)

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