Cantatas Nos. 60 & 26

Recent Episodes

Richard Egarr on the Orchestral Suites

Richard Egarr on the Orchestral Suites

The Bach Hour | WCRB

Lorraine Hunt Lieberson in the Cantata No. 170

Lorraine Hunt Lieberson in the Cantata No. 170

The Bach Hour | WCRB

Remembering Lorraine Hunt Lieberson

Remembering Lorraine Hunt Lieberson

The Bach Hour | WCRB

Andrew Rangell and The Art of Fugue

Andrew Rangell and The Art of Fugue

The Bach Hour | WCRB

Pianist Andrew Rangell talks with host Brian McCreath about grappling with one of Bach's last and greatest masterpieces, The Art of Fugue.

On the program:

Magnificat, BWV 243 - Tamara Matthews, soprano;  Deanne Meek, mezzo-soprano;  Mary Phillips, alto;  Don Frazure, tenor;  Stephen Powell, baritone;  Boston Baroque, Martin Pearlman, conductor

from The Art of Fugue, BWV 1080: Contrapunctus I, IV, IX, and XIV - Andrew Rangell, piano

Andrew Rangell on The Art of Fugue: Full Interview

Andrew Rangell on The Art of Fugue: Full Interview

The Bach Hour | WCRB

In a wide-ranging discussion, pianist Andrew Rangell talks with host Brian McCreath about grappling with one of Bach's last and greatest masterpieces, The Art of Fugue.


 

Ton Koopman and the Cantata No. 177

Ton Koopman and the Cantata No. 177

The Bach Hour | WCRB


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Chorale Prelude on Ach wie nichtig, ach wie flüchtig, BWV 644 - Simon Preston, organ (Metzler Organ at Trinity College, Cambridge)

Cantata BWV 26 Ach wie flüchtig, ach wie nichtig (translation) - Joanne Lunn, soprano;  Richard Wyn Roberts, alto;  Julian Podger, tenor;  Gerald Finley, bass;  Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Fugue in D, BWV 874, from Book II of The Well-Tempered Clavier (conclusion) - Lorenzo Ghielmi, Fortepiano

(photo:  Sheila Rock)

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