Richard Egarr on The Well-Tempered Clavier, and the Missa Brevis in F

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On the program:

Brandenburg Concerto No. 4 in G, BWV 1049 - Daniel Stepner, violin;  Christopher Krueger and Roy Sansom, recorders;  Boston Baroque, Martin Pearlman, conductor

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The Bach Hour | WCRB

On the program:

Passacaglia in C minor, BWV 582 - Gerhard Weinberger, organ (1739 Trost organ at the Schlosskirche, Altenburg, Germany)

Cantata BWV 146 Wir müssen durch viel Trübsal in das Reich Gottes eingehen (translation) - Brigitte Geller, soprano; William Towers, alto; Mark Padmore, tenor; Julian Clarkson, bass; Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

(photo of Altenburg Castle Church and the Trost organ via ecv5 at Flickr under Creative Commons)

Lost and Found Bach

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The Bach Hour | WCRB

Harvard University's Christoph Wolff tells the story of a work of Bach's discovered in 2005.

On the program:

Allein Gott in der Höh' sei Ehr', BWV 662 (Leipzig) - Jacob Street, organ (Richards, Fowkes, & Co. organ at First Lutheran Church, Boston)

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Concerto in D for three violins, BWV 1064R - Petra Müllejans, Gottfried von der Goltz, and Anne Katharina Schreiber, violins;  Freiburg Baroque Orchestra

Alles mit Gott und nichts ohn' ihn, BWV 1127 - Elin Manahan Thomas, soprano;  English Baroque Soloists, John Eliot Gardiiner, conductor


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Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.

On the program:

Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel

Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord

Preludes and Fugues in F-sharp minor (BWV 883) and A major (BWV 889), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord

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