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Recent Episodes
Violin Sonata No. 3, Cantata No. 172
Violin Sonata No. 3, Cantata No. 172
The Bach Hour | Classical New England
05/14/13
A Struggle Against Darkness in the Cello Suite No. 2
A Struggle Against Darkness in the Cello Suite No. 2
The Bach Hour | Classical New England
05/03/13
Dutch cellist Pieter Wispelwey talks with host Brian McCreath about the Cello Suite No. 2 by Bach.
On the program:
Aria variata in A minor (Italian Variations), BWV 989 (arr. Tim Jackson) - Alison Balsom, trumpet; Alistair Ross, harpsichord
Cantata BWV 87 Bisher habt ihr nichts gebeten in meinem Namen - Robin Blaze, counter-tenor; Makoto Sakurada, tenor; Peter Kooij, bass; Bach Collegium Japan, Masaaki Suzuki, conductor
Suite No. 2 in D minor for solo cello, BWV 1008 - Pieter Wispelwey, cello
(photo of Pieter Wispelwey by Benjamin Eagoleva, courtesy of the artist)
Brasil Guitar Duo's French Suite and the Cantata No. 166
Brasil Guitar Duo's French Suite and the Cantata No. 166
The Bach Hour | Classical New England
04/25/13
On the program:
Trio Sonata in D minor, BWV 527 - Robert Quinney, organ (Frobenius organ at The Queen's College, Oxford, England)
Cantata BWV 166 Wo gehest du hin? - Robin Tyson, alto; James Gilchrist, tenor; Stephen Varcoe, bass; Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor
Chorale Prelude: Wer nur den lieben Gott läßt walten, BWV 647 - Martin Roscoe, piano
French Suite No. 3, BWV 814 - Brasil Guitar Duo
(photo of Brasil Guitar Duo by Janette Beckman)
Cantata No. 12, and Brandenburg Concerto No. 4
Cantata No. 12, and Brandenburg Concerto No. 4
The Bach Hour | Classical New England
04/19/13
Harvard University's Christoph Wolff describes Bach's approach to transforming works by other composers.
On the program:
Brandenburg Concerto No. 4 in G, BWV 1049 - Daniel Stepner, violin; Christopher Krueger and Roy Sansom, recorders; Boston Baroque, Martin Pearlman, conductor
Cantata BWV 12 Weinen, Klagen, Sorgen, Zagen - Daniel Taylor, alto; Mark Padmore, tenor; Peter Kooy, bass; Collegium Vocale Gent, Philippe Herreweghe, conductor
Concerto in A minor, BWV 593 (after Vivaldi) - Balint Karosi, organ (Richards, Fowkes, & Co. organ at First Lutheran Church, Boston)
Lost and Found Bach
Lost and Found Bach
The Bach Hour | Classical New England
04/11/13
Harvard University's Christoph Wolff tells the story of a work of Bach's discovered in 2005.
On the program:
Allein Gott in der Höh' sei Ehr', BWV 662 (Leipzig) - Jacob Street, organ (Richards, Fowkes, & Co. organ at First Lutheran Church, Boston)
Cantata BWV 112 Der Herr ist mein getreuer Hirt - Katharine Fuge, soprano; William Towers, alto; Norbert Meyn, tenor; Stephen Varcoe, bass; Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor
Concerto in D for three violins, BWV 1064R - Petra Müllejans, Gottfried von der Goltz, and Anne Katharina Schreiber, violins; Freiburg Baroque Orchestra
Alles mit Gott und nichts ohn' ihn, BWV 1127 - Elin Manahan Thomas, soprano; English Baroque Soloists, John Eliot Gardiiner, conductor
Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.
On the program:
Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel
Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord
Preludes and Fugues in F-sharp minor (BWV 883) and A major (BWV 889), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord
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