Godowsky's Vision of Bach, and Cantata No. 3

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Andrew Rangell and The Art of Fugue

Andrew Rangell and The Art of Fugue

The Bach Hour | WCRB

Pianist Andrew Rangell talks with host Brian McCreath about grappling with one of Bach's last and greatest masterpieces, The Art of Fugue.

On the program:

Magnificat, BWV 243 - Tamara Matthews, soprano;  Deanne Meek, mezzo-soprano;  Mary Phillips, alto;  Don Frazure, tenor;  Stephen Powell, baritone;  Boston Baroque, Martin Pearlman, conductor

from The Art of Fugue, BWV 1080: Contrapunctus I, IV, IX, and XIV - Andrew Rangell, piano

Andrew Rangell on The Art of Fugue: Full Interview

Andrew Rangell on The Art of Fugue: Full Interview

The Bach Hour | WCRB

In a wide-ranging discussion, pianist Andrew Rangell talks with host Brian McCreath about grappling with one of Bach's last and greatest masterpieces, The Art of Fugue.


 

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On the program:

Bourree from Cello Suite No. 3 in C, BWV 1009 (arr. Leopold Godowsky) - Alessio Bax, piano

Cantata, BWV 3 Ach Gott, wie manches Herzeleid (translation) - Joanne Lunn, soprano; Richard Wyn Roberts, alto; Julian Podger, tenor; Gerald Finley, bass; Monteverdi Choir and English Baroque Soloists, John Eliot Gardiner, conductor

Violin Sonata No. 1 in G minor, BWV 1001 (arr. Leopold Godowsky) - Alessio Bax, piano

Lobet den Herrn, alle Heiden, BWV 230 (translation) - Monteverdi Choir, John Eliot Gardiner, conductor

(photo of Alessio Bax by Lisa-Maria Mazzucco)

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